What Coopers may Come

It must've been the turbulence that jolted me out of Daydreamotopia. It could also have been the wailing child. Actually, it must've been a combination of both along with the sudden awareness of losing altitude. But gone were the flying blue whales mounted with twin mini-guns and the kevlar clad riders on them. I suddenly found myself again on seat 19b of Indigo's flight back to Kerala. People were panicking all around me and the oxygen masks were hanging from tubes above every seat. I stared out of the window only to see the greenery coming straight at me. The coastline was nowhere to be seen. The "highly unlikely event of a water-landing" seemed more unlikely than how any flight attendant had ever made it sound. This was it! Had to make those last round of phone calls (from my own mobile phone of course. I do not subscribe to the hoax that the 'signal from my mobile phone would interfere with the on-board system'. Even if it did, it wouldn't make much of a difference now, would it?)(And sorry humanity, there would be no last minute deposits in the sperm-bank). But it was too late already. It was getting increasingly difficult to breathe and I had to use the oxygen mask. Thats when I noticed that the oxygen mask of the passenger sitting on my right had failed to drop down. Conforming to the repeated requests from that Lady Bountiful inside my head, I turned right with an intention of sharing my oxygen mask with my hapless partner-in-death, only to find myself staring at a very familiar face that shouted "Are you insane? Don't you know that 90 percentage of airborne diseases are transmitted through shared oxygen masks??". It was Sheldon Cooper from The Big Bang Theory. Something was definitely wrong here. If it indeed had been him on my right side all this while, how come I never noticed? Thats when I made a promise to myself. What promise? We'll get there in a bit. But by now, the under-side of the plane had started grazing against the coconut palm leaves, the sound of which reminded me of the red bamboo wind-chime that a very dear friend of mine had gifted me. When I opened my eyes, I was indeed staring up at the aforementioned wind-chime that was nicely dancing around in the morning breeze that had swept in through my bedroom window. Yes, it had all been one super-realistic night…er..day-mare



Now, before I talk about the promise, let me warn you that it might seem highly unlikely that one would make such a trivial promise while faced with such a dire situation. But I did, and being a man of my word I'm keeping it. The promise was this "If this whole thing turns out to be just a dream, I promise that I'll blog about it however silly its gonna make me look". So here I am, sitting at my lappie and typing away. I also realize today that I have hardly blogged in the recent past. I have also been neglecting my Deviantart account. Thanks to Rosh's and Sinu's vehement participation, some of my artwork was still being put up on the Libera Artisti fan page on FB. But I guess I have been a little too caught up in my world, cooking up stories, making comic strips, and sorting out a few personal issues. I have been gone for long enough to be forgotten by the cyber-world, the place where it all started a few years ago. So please consider this the first step towards me trying to rebuild a world that had collapsed due to a year and a half of complete neglect, and wish me good luck

Photo session with Ms Anonymous shakey hands

Look what you did to me... You made me bleed over the whole damn wall for you!

Stepping into MMXI

2011 is gonna be a major year for my team-mates and I - both personally and professionally. Each of us has a different story to tell about his personal life. But to sum it all up, let me just say that Sinu, Rosh, and I are at very different, but equally crucial points in our lives. Professionally, the three of us are at exactly the same spot!

We aren't just a brotherhood of freelancers anymore, we are,...wait for it....wait for it..... a registered company! New office building, gadgets, art-thingummies et al! And here we are, officially unveiling our new logo. We are also starting off on one of our dream projects. A lot of fingers and toes crossed here

The Libera Artisti will continue to be run by us, but we'll be bringing in fresh talents too for various projects. I kid you not, there are some very unique projects in the offing. So all of you talented lot out there start sending in the links to your portfolio blogs to liberaartisti@gmail.com and one day you might just get THE call. You can also visit us at www.liberaartisti.com

2010 had been, ....well... one heck of a roller coaster ride. But lets just remember the brighter side and all those happy moments



And here's to a joyous year!! Happy new year, folks!

FAQ

Frequently Asked Question, ofcourse. In fact this question is one that I have been asked the most number of times. So I thought I might as well post a reply to it here :)


My name is <____> . I'm aspiring to be an illustrator.I read your comic strip every Saturday on Zeitgeist and I find your artwork highly intriguing and interesting. I would like to know more about illustrating and about the qualities needed to be a comic artist. How were u driven towards this line ?

You see I am a student of Bsc multimedia studying in Cochin

Waiting for your reply

Art admirer
---------------------------------------------------------------------------------

Hi <_____>

Thank you! I am glad to know that you've been following Marcus and more

The first step towards getting better at any form of illustration is life-drawing. It is best to keep drawing inspirations from the world around us than from anywhere else. That way we remain true to ourselves as far as our art is concerned. Grab a sketchbook right away and start taking it wherever you go. Draw as much as you can, - from around you, from your memory, and from your imagination. Soon enough you will start incorporating one with another and realize what interests you the most. Also, your art will evolve into something unique, something that will eventually be recognized as your style. That moment of self-discovery is very important for each of us

As for me, I've grown up on comic books and I've always been drawn towards sequential art. More than anything else, I love stories -both telling them and listening to/reading them- and I found sequential art to be the best medium through which I could tell a story. But I hadn't taken it up as a full-time career until 2008. Drawing was always a fun-activity for me. I hadn't thought about making a living out of it until one fine day in late 2007 when I decided to throw away my engineering degree, resign my job, and say good-bye to the corporate world once and for all

Was it the brightest decision of my life? I am yet to find out. But the bridge has been burnt, and I can only walk forward now. All I can guarantee you is that the satisfaction that comes from getting paid and recognized, by doing what you love doing the most, is plain euphoric!

I hope that was helpful

Regards

Kishore

The much awaited grey fedora arrives

...and i just cant help flaunting it :). This one comes as a gift from my friend Ashof

I'm back!

And I'm back from Bangalore. It had mostly been a fun trip, except that I was down with food poisoning during the last few days, and hence couldn't catch up with some of my friends I badly wanted to catch up with. It was extremely kind of Pratheek to let Merryn and me crash at his graphic-novel-heaven of a house! Maybe someday, a hundred years from now, it shall be known as the Pratheek memorial graphic novel museum :P. He has such an amazing bookshelf! Might write more about the Bangalore trip in another post

Now that I'm back, I'll start working on silent symphonies, our first graphic novel, which is more like an anthology of visually narrated stories. But before that, I have a few minor projects that I'll need to complete within a week or two. The ones that I have been pushing off to "after the Bangalore trip"

The Marcus strips continued in the Indian Express despite my absense, thanks to my farsightedness :P. Tsk tsk! Happened to have a couple of buffer-strips ready. You can read them here --> MARCUS

Here is a review that came in The Hindu about Tail Tales, the children's book that i had illustrated for --> REVIEW

And here is a picture of me with my folks that my sister Sharon clicked on my return. Love 'em both to pieces!

An Interview

Here are scans of an article titled "The evolution of the Indian Graphic Novel" that came on The Sunday Guardian, Aug 15th


Below, is the complete unabridged version of my interview, just for you guys

There has been a sudden spurt in the field of graphic novels in India. When did it start and why do you think it is gaining momentum?

The so called sudden spurt in the field of graphic novels was triggered by the coming of European and American graphic novels. Our readers began to realize the potential of this medium and started becoming aware of the limitless possibilities in storytelling that it offered. It became all the more evident when block buster movies were made out of best selling western graphic novels like Sin City, 300, and V for Vendetta. All of a sudden Graphic novels were more than just comic books for children. They became an efficient medium of storytelling that was way less expensive to make than movies and with the possibility of being way more expressive than novels (if well made). With the sudden increase in readership, came the increasing demand in the market for newer, original, and more importantly Indian stuff. Now more and more artists, writers and publishers are entering the Indian graphic novel industry. What we are witnessing could be the advent of a whole new era of storytelling

How did the whole genre of graphic novels evolve in India? How has the evolution come about?

Though the term 'graphic novels' is recent, India has had a long tradition of comic readership. It had started as early as 1947, with Chandamama publishing its comic magazines. I think the adaptations of the epics Ramayana and Mahabharata in comic-book format in the 60s may have been our first attempt at what we call graphic novels now. After that came a comic-book era during which many western comics (like Phantom and Mandrake) were made available in India through publishers like Indrajaal comics. Soon afterwards more western comics like Archie, Tintin, Asterix, etc started gaining popularity in our country along with our very own Amar Chitra Katha. Though none of these could exactly be called graphic novels, they still helped our readers get acquainted to the medium of western sequential art. Graphic novels are nothing but an extension of this art form. It tells bigger, more serious stories to a bigger, more serious crowd. Not that children and adolescents don't enjoy them, but there are also graphic novels that target just the mature reader

Why do you think there has been a lack in this specific art form?

Frankly, I don't think there has been a lack per se in the art form. It is a multi-billion dollar industry around the globe, be it the western graphic novels or the Japanese Manga, churning out thousands of graphic novels every year. Its just that we have had so very few original Graphic novels being created in our country that our readers still rely majorly on the European, American and Japanese industries to keep them entertained. But there are new publishers coming up in India exclusively for graphic novels and there are plenty of original graphic novel scripts being written. Also we have a lot of talented artists in our country. So I believe that in the next five years the scene is going to change

Do you think that graphic novel is a highly underrated medium in our country and is more about superheroes and mythology?

It has been mostly about superheroes and mythology. Not that I am against these genres, and yes, I do enjoy them as long as the stories are well-crafted and told. But supehero and mythology comics are being done to death in our country through repetitions and shallow, clichéd plots. And most of these have been targeting the pre-teen and early teen readers. Its about time we moved a level up and looked beyond the niche market that these comics have created. By sticking to just this target age-group, we are forcing the more mature, intelligent reader to look up solely to the Western and far-Eastern markets for a satisfying read. There however has been many exceptions too that deserve to be acknowledged here, like Amruta Patil's dark and intense graphic novel Kari, and Tejas Modak's humorous take on the Noir genre with his graphic novel Agent Anonymous, to cite a few examples. Yes, the graphic novel is a highly underrated medium in our country and its full-potential is yet to be realized.


Also, many of the graphic novels existing in the market today portray stories that are gory in nature with a lot of bloodshed, rape. Why?

Well, there are two categories when it comes to this. There are the graphic novels that have blood and gore as part of the harsh realities of life. These probably require it for the story to be more convincing. Then there are the ones that have these just because they sell. I am not a big fan of the latter, but I am not denying the fact that sometimes the shock-value does help. Not only in sales, but also in delivering the impact. What I personally feel is that the impact is all the more stronger when it is kept subtle and toned down instead of going for blatant in-your-face acts of sex and violence.

Where would you place the Indian graphic novel scene on a global scale? Why

Even though a lot of comics and graphic novels are being sold in India the volume of original graphic novels being produced here is very low. The number of international releases that we have each year is almost as low as being non existent for us to be of any significance on a global scale right now. The graphic novel industry of our country is presently in the same state as Bollywood was in the global scene 50-55 years back (during the early years of what was known as the Golden age of Indian cinema), with a reasonable number of movies being made to be viewed only within the country. But though we seem to be starting off late, we have always had immense underutilized potential waiting to be unleashed. Story telling through art has been part of our heritage and it dates back to the 5th century AD mural paintings in the Ajanta caves and beyond. One way in which our contributions in the global graphic novel industry can stand out as unique is by introducing the aspects of our traditional art forms in sequential art. Of course, it goes without saying that it can happen only if the graphic novel communicates efficiently and has a gripping story to tell. We should also be able to tell stories that are unique to us, but still can be related to by readers from the other parts of the world. That way we will be able to provide the international reader with a whole new well-cherished reading experience, and in the long run make our mark in the international market

Is there a mature and understanding audience for graphic novels in India?

International best selling graphic novels have always had a substantial readership in India. So I would like to believe that we do have a mature and understanding audience for graphic novels. But frankly, that is one of those things that is yet to be found out. I do get a lot of positive feedback from the readers of my comic strip (Marcus and more) in the New Indian Express and that gives me hope that my graphic novels too would be loved as much

In what ways are graphic novels different from comics?

The sheer volume of content is what separates graphic novels from comic-books. Graphic novels are what can be called the movie-equivalent of sequential art. Of course the challenges are many since unlike a movie, a graphic novel does not have anything that is not visual. But a picture speaks a thousand words. efficient paneling can control the pace of the narration, proper lettering and onomatopoeia makes it audible, and efficient use of colors brings out the right mood

Who is your favourite graphic novelist(s)?

Neil Gaiman has always been a favourite graphic novel-writer. Will Eisner has been a huge inspiration. If it hadnt been for him, the medium wouldnt have been born in the first place. I totally admire the works of Juan Díaz Canales (writer) and Juanjo Guarnido (artist) in their noir series Blacksad. Anthropomorphized characters have never been more expressive. Among the more recent graphic novelists, I'm addicted to the works of the twins Fábio Moon and Gabriel Bá

What are your current projects and from where do you draw inspiration while working on these?

Besides an ongoing fortnightly comic strip, I am also working with my team mates Roshan and Sinu on the first graphic novel from the Libera Artisti. It is called Silent symphonies and it is an anthology of four stories, two of which are by me. What makes this graphic novel unique is that the stories are purely visually narrated without a single word being used. This is a huge challenge as far as the medium is concerned, since usually a major part of the storytelling in graphic novels happens through dialogues and narrations. Since neither of these will be used in this book we will need to explore all the graphical aspects of the medium to the maximum extend possible for efficient storytelling.
Inspirations are usually drawn from life itself and the things that happen in and around it. As storytellers we are constantly on the look out for new stories and sometimes its actually the trivialities of life that triggers a whole chain of thoughts. It might be a person we know in real life or certain traits of his/hers that give birth to a character